Coastline Study 5

Thursday, November 22, 2012

Coastline Study 5

In my bookkeeping system this acrylic 1000 and as such, somewhat of a milestone. It is however, not actually my 1000th acrylic painting. At one time I did fifty some small paintings like this and numbered them as "bookshelf paintings" even though they were done in acrylics. And then there are the paintings I've painted over. How do you count them? In any event, some I've painted over I've kept the same number, others got a new number, so who knows when I crossed the 1000 mark. Still, in the little over 9 years since I quit my day job to paint, I've done around 250 oil paintings, 50 some watercolors and over a 1000 acrylics and that's not counting all the watercolors I did before I became a painter. Even at my minimum price of 1000K each, I'm rich! Now if I were 27 instead of 63 and people where actually buying my pieces at 1000K plus, what a fine dissipated artistic life I could be leading... I suppose, in the end, a bulled dodged...

6x8" 15x20cm acrylic on hardboard

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What I'm Up To

I think artist’s statements are largely needless. Paintings speak for themselves. And yet, here I am set to rattle on about my approach to painting. Now, if you're of the same opinion as I claim to be, skip this and enjoy the paintings, but if you want a hint as to what I’m trying to do, here’s the words.

I approach painting via two different roads that arrive at the same place. The first is that I paint only “studies” or sketches. Back in the day artists painted quick studies to get the colors and features down to use as a guide to paint a finished studio painting. Funny thing is of the paintings I’ve seen together with their studies, I’ve always preferred the loose and spontaneous studies over the stiff and polished finished painting. For that reason I’ve chosen to paint only studies.

My second approach to painting is inspired by a quote from the writer, Raymond Chandler: “I guess maybe there are two types of writers, writers who write stories and writers who write writing.” He considered himself of one of the latter, as do I which is to say; writers who’s words are entertaining in and of themselves, independent of the story. Perhaps painters could be divided the same way: Painters who paint pictures and painters who paint paintings. While I don’t consider one type superior to the other, I aim to be a painter of paintings. I want to paint paintings that capture a moment, inspire or recall a memory or mood, but which, viewed longer or closer, or with one's glasses on, prove to be clearly paintings: paint brushed into shapes on a surface. That these mere shapes can create an impression they’re something else, for a moment, or at a distance is the independent interest I would like my paintings to possess, not because they realistically reproduce branches, or water or what ever, but because they don’t. What I don't want to paint is places or post card scenes, even though landscape are the medium which I use for my painting.

The Day's Work - Paintings of C. Litka

Thursday, November 22, 2012