Amber Cover original & modified

Monday, January 26, 2015

Amber Cover original & modified

Here are two versions of one painting. The original, and a version that was photographed and modified in Gimp, a photoshop type program. I used a detail of the original painting with the black outlines for the cover of my novel, A Summer in Amber, and used the full version, shown below for a chapter heading illustration. The black outlines adds a great deal to the painting. The original is very plain, but knowing that I'd be modifying it, I didn't care.

12x24" 30x60cm acrylic on board original version

the chapter art version

The cover used the same "cartoon" option that put in the black lines, but used a much higher resolution photo to do so, so the lines were finer than in this low resolution version.

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What I'm Up To

I think artist’s statements are largely needless. Paintings speak for themselves. And yet, here I am set to rattle on about my approach to painting. Now, if you're of the same opinion as I claim to be, skip this and enjoy the paintings, but if you want a hint as to what I’m trying to do, here’s the words.

I approach painting via two different roads that arrive at the same place. The first is that I paint only “studies” or sketches. Back in the day artists painted quick studies to get the colors and features down to use as a guide to paint a finished studio painting. Funny thing is of the paintings I’ve seen together with their studies, I’ve always preferred the loose and spontaneous studies over the stiff and polished finished painting. For that reason I’ve chosen to paint only studies.

My second approach to painting is inspired by a quote from the writer, Raymond Chandler: “I guess maybe there are two types of writers, writers who write stories and writers who write writing.” He considered himself of one of the latter, as do I which is to say; writers who’s words are entertaining in and of themselves, independent of the story. Perhaps painters could be divided the same way: Painters who paint pictures and painters who paint paintings. While I don’t consider one type superior to the other, I aim to be a painter of paintings. I want to paint paintings that capture a moment, inspire or recall a memory or mood, but which, viewed longer or closer, or with one's glasses on, prove to be clearly paintings: paint brushed into shapes on a surface. That these mere shapes can create an impression they’re something else, for a moment, or at a distance is the independent interest I would like my paintings to possess, not because they realistically reproduce branches, or water or what ever, but because they don’t. What I don't want to paint is places or post card scenes, even though landscape are the medium which I use for my painting.

The Day's Work - Paintings of C. Litka

Monday, January 26, 2015